1. Soloing pattern

If you have not mastered the art of note bending, slides, pull-offs 

and hammer-ons, you will probably have a difficult time with some of 

the topics discussed here. But read on anyway. I happen to have a 

personal disdain for the pentatonic scale. So while I will not dissuade 

anyone from using it nor dispute its usefulness, I will not be discussing 

it here. Let's say that your makeshift band is jammin' on a simple three 

chord warm up progression, Dm-C-Bb-C.

It's your turn to solo and what are you going to do? Based on the 

chord progression, we'll pick D minor as our soloing key of choice. 

I have always had luck memorizing a particular pattern and moving 

it around depending on the key. Here is the one that I use most and 

can use in any key major or minor. Here it is in our Dm position:

Pattern 1
E---l---l---l---l-x-l-x-l---l-x-l---l-r-l
B---l---l---l---l-x-l-R-l---l-x-l---l---l
G---l---l---l---l-x-l---l-r-l---l---l---l
D---l---l---l---l-x-l---l-x-l-x-l---l---l
A---l---l---l---l-r-l---l-x-l-R-l---l---l
E---l---l---l---l-x-l-x-l---l-x-l---l---l
  1   2   3   4   5   6   7   8   9   10


The RR'sS represent the root of the major key (F) and the Rr'sS represent 

the root in the minor key (D). Technically I suppose you could call this 

an F major scale in phrygian mode (beginning on the third, A). But 

I really don't. It's just a particular set of finger placements that 

are comfortable and reliable for soloing. Since when I solo I will be 

stressing the notes of the major and minor, the A phrygian is just a 

coincidence.

OK. Now we've got a scale to use. Notice that this scale contains all the 

notes of the chords being played. Like so:

D minor scale  D-E-F-G-A-Bb-C
Dm chord  D-F-A
C chord   C-E-G
Bb chord  Bb-D-F


Now when we solo (which you will remember is supposed to be a story 

within a story, not just a bunch of licks) we can really play any note 

in the scale and it will fit. It won't always sound good, but it will 

fit in some way. Here are two more positions of the same scale.

Pattern 2 (F major scale)
E---l---l-x-l---l-x-l-x-l---l---l---l---l
B---l---l-r-l---l-x-l-R-l---l---l---l---l
G---l-x-l-x-l---l-x-l---l---l---l---l---l
D---l-x-l-R-l---l-x-l---l---l---l---l---l
A-x-l---l-x-l---l-r-l---l---l---l---l---l
E-R-l---l-x-l---l-x-l---l---l---l---l---l
  1   2   3   4   5   6   7   8   9   10

Pattern 3 (D minor scale)
E---l---l---l(x)l---l-x-l-R-l---l-x-l---l
B---l---l---l(x)l-x-l---l-x-l---l-r-l---l
G---l---l---l-R-l---l-x-l---l-x-l---l---l
D---l---l---l-x-l---l-r-l---l-x-l---l---l
A---l---l---l-x-l---l-x-l-x-l---l---l---l
E---l---l---l-r-l---l-x-l-R-l---l---l---l
  7   8   9  10  11  12  13  14  15   16


(x) alternative fingerings to use if you want to stay in one position.

Notice that this is the D minor scale and that the D minor pentatonic 

scale is contained within this scale. Where did you think the pentatonic 

it came from?

If you link patterns 1, 2 and 3 together starting with the F on the E 

string 1st fret (pattern 2) you can move up and down the fretboard all 

the way to the 24th fret (if you have one) without leaving the patterns. 

Like this: (In TAB form)

E------------------------------------8-10-12--l
B---------------------------5-6-8/10----------l
G-------------------2/3-5-7-------------------l
D-------------2-3-5---------------------------l
A-------1-3-5---------------------------------l
E-1-3-5---------------------------------------l

E-13-12-10----------------------------13-15-17/18-l
B----------13-11-10----------13-15-17-------------l
G-------------------10-12-14----------------------l
D-------------------------------------------------l
A-------------------------------------------------l
E-------------------------------------------------l

E--20-18-17----------------------------18-20-22/24l
B-----------20-18-17----------18-20-22------------l
G--------------------19-17-19---------------------l
D-------------------------------------------------l
A-------------------------------------------------l
E-------------------------------------------------l


Try playing this slowly and smoothly hammering-on each ascending note, 

pulling-off each descending note, and sliding where notated. Stop at 20 

if you don't have the upper frets, or if you get tired.

Now, the nice thing about remembering patterns is that the pattern 

works for any key; just change the position. Pattern 1 above starts 

on the third of the major scale. (remember it's only a pattern, not 

a phrygian scale). So the starting points on the low E string that I 

remember are:

C major/A minor  open
D major/B minor  2nd fret
E major/C# minor 4th fret
F major/D minor  5th fret (as above)
G major/E minor  7th fret
A major/F# minor 9th fret


We can find a few licks within each pattern that we can use to augment 

our solos. Like these:

Dm
E-----5-6-8-6-5---5-------l-8-----5--8-----5-8-10-l
B----6---------8-6--8-6-5-l--6---6----6---6-------l
G---7---------------------l---5-7------5-7--------l
D-------------------------l-----------------------l
A-------------------------l-----------------------l
E-------------------------l-----------------------l


E---------------------------5---5-6-5-6-8-6-8/10--l
B----------5--5-6-5-6-8-6-8---8-------------------l
G----7-5-7--7-------------------------------------l
D-------------------------------------------------l
A-------------------------------------------------l
E-------------------------------------------------l


Also notice as we put the patterns together and complete the major 

scale up the neck that the chords for the tune we're playing become 

available for licks. Like this:

Dm
E-5--------13-10-----l
B--6-------------10--l
G---7----------------l
D----7---------------l
A-----5--------------l
E--------------------l

C
E-8--------15-12-----l
B--8-------------13--l
G---9----------------l
D----10--------------l
A-----10-------------l
E-------8------------l

Bb
E-10-------13-10-----l
B--11------------11--l
G---10---------------l
D-----8--------------l
A--------------------l
E--------------------l


We can use these triads in our solos to really accentuate the chords and 

pull-off the triads in kind of a "Hotel California" "Sultans of Swing" solo 

kind of thing. Find a pattern that you like and that feels comfortable for 

your fingers and playing style. Then play it a thousand times. Have a friend 

play the chords over and over and try it out. Or play along with a tune in 

each key.