Derivation of modes
Example- Modes derived from C major:
Number | Name | Mnemonic | Notes |
1 | C Ionian mode | In | CDEFGABC |
2 | D Dorian mode | Dorset | DEFGABCD |
3 | E Phrygian mode | People | EFGABCDE |
4 | F Lydian mode | Live | FGABCDEF |
5 | G Mixolydian mode | Mostly | GABCDEFG |
6 | A Aeolian mode | Along | ABCDEFGA |
7 | B Locrian mode | Lanes | BCDEFGAB |
This view of modes is useful, but limited in application, especially when dealing with modes of more complex key signatures.
For example, in order to work out the key signature of the Bb Phrygian scale one would have to ask the question: ‘What is the key signature of the major scale that has Bb as it’s third note’. Brain damage could result!
So we try this view instead::
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