Sunday, November 22, 2009

Kahin to hogi woh - jane tu ya jane na

Bb------------------
Kahin to.. kahin to. Hogi woh
--------------- D#
Duniya jahan tu mere saaath hain
Bb----------
jahan mein jahan tu
----------------D#
Aur jahan bas tere mere zajbaat hain

Gm---------Dm
Hogi jahan saba teri
Gm---------Dm
Palkon ki kirano mein
F-----------------
Lori jahan chand ki
Bb--------D#--------C
Sune teri bahon mein...

Bb---------------D#
Jane na kahan woh duniya hai
Cm--------------F
Jane na woh hai bhi ya nahi
Bb------------------D#
Jahan meri zindagi mujhse
Gm---------Bb
Inti kafa nahi |2|

Cm-------------------Gm---------------
Saasein kho gai hai kiski aahon mein
D#---------------------------Gm-----------
Mein kho gai hoon jane kiski baahon mein
Cm------------------Gm------------
Manzilon se rahe dhondte chali
Dm----------------------------Gm-----------
Aur kho gai hai manzil kahin rahon mein



Bb--------------------------
Kahin to kahin to hai nasha
D#--------------------------
Teri meri har mulakat mein
Bb-----------------
Hoton se hoton ko
-------D#----------------------------
Chumti o rehete hai hum har baat pe

Gm---------------------
Kehti hain fiza jahan
Bb------------Gm---------
Teri zaameen aasman
-------------Dm----------
Jahan hai tu meri hasi
Bb---------------D#------
Meri khushi Meri jaan

Bb----------------D#-------------
Jane na kahan woh duniya hai
Cm----------------F-----------
Jane na woh hai bhi ya nahi
Bb--------------D#-----------
Jahan meri zindagi mujhse
F------------Bb--
Inti kafa nahi

F#----------------E------------
Jane na kahan woh duniya hai
C#m-----------F#----------------
Jane na woh hai bhi ya nahi
G#m-----------------E---------
Jahan meri zindagi mujhse
----------B----
Inti kafa nahi |2|


Sources: IGT

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O re piya - Rahat Fateh Ali Khan from Aja Nachle

(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye
(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye
(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye

(Bm)Udne (A)Laga Kyon (G)Man (A)Baawla Re
(Bm)Aaya (A)Kahan Se (G)Yeh (A)Hosla Re

(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye
(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye

(Bm)Tanabana Tanabana.....
(A)Bunti (G)Hawaa (A)Haaye Bunti (G)Hawa
(Bm)Boondein Bhi To Aaye Nahi
(A)Baaz (G)Yahan (A)aaaa...hay

(Bm)Sazish Mein (A)Shaamil (G)Sara (A)Jahan Hai
(Bm)Har Zarre (A)Zarre Ki (G)Yeh Ilti(A)za Hai

(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye
(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye

(Bm)Nazrein Bolen Duniya Bole
(A)Dil Ki (G)Zaban (A)Haaye Dil Ki (G)Zubaan
(Bm)Ishq Maange Ishq Chahe
(A)Koi (G)Toofan (A)aaaa...hay

(Bm)Chalna (A)Aahiste (G)Ishq (A)Naya Hai
(Bm)Pehla Yeh (A)Vada (G)Humne (A)Kiya Hai

(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye
(Bm)O Re Piya (A)Haye O Re (G)Piya

(Bm)Nange Pairo Pe Angaro
(A)Chalti (G)Rahi (A)Haaye Chalti (G)Rahi
(Bm)Lagta Hai Ke Gairo Mein
(A)Palti (G)Rahi (A)Haaye

(Bm)Le Chal (A)Wahan Jo (G)Mulk (A)Tera Hai
(Bm)Jahil (A)Zamana (G)Dushman (A)Mera Hai

(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye
(Bm)O Re Piya (A)Haye O Re (G)Piya (A)Haye

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Mere sang - New york

Scale - C scale, Chords = C F G
c.........................g....................... ........c
mere sang toh chal zara, kyun dikhe dara dara (x2)
c........................f........................ ........g
chal tujhko aa chhupa lu, apni main baahon mein
c..........................f...................... ..........c
chal khwaab kuch sajaa du, teri inn nigaahon mein

...........g.....c..........g.....c............... .........f.............g........c
main jo sang hu, tere rang hu, raahon se teri chun lu main khwaab
.....g....c........g...c...........f........g........c
har lamha yun gujre, ke gehraata jaye pyaar

mere sang...




c.........................g.................f..... .........c
hans de zara sa tu, teri hasi se mere kal ho haseen
c..........................g.................f.... ...........c
bas itna chahu main iss zindagi se zyada kuch nahi
..........g......c..........g.....c............... ...f......................g
main jo sang hu, tere rang hu, raahon se teri chun lu main khwaab
.....g....c.......g....c..........f............... c
har lamha yun gujre ke gehraata jaaye pyaar

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Pink Bullets by the Shins

Standard Tuning
Capo 3
Strumming - b DU b DU
b=base note of that chord, D=down strum , U = upstrum
intro: Em /// | D/A/|  x4
verse
Em D A Em D A
I was just bony hands as cold as a winter pole
Em D A Em D A
you held a warm stone out new flowing blood to hold
Em D A Em D A
oh what a contrast you were to the brutes in the halls
Em D A Em D A
my timid young fingers held a decent animal
chorus 1
G D
Over the ramparts you tossed
G D
the scent of your skin and some foreign flowers
G D F
tied to a brick sweet as a song
C D
the years have been short but the days were long
verse
Cool of a temperate breeze from dark skies to wet grass
we fell in a field it seems now a thousand summers passed
when our kite lines first crossed we tied them into knots
and to finally fly apart we had to cut them off
chorus 2
Since then it's been a book you read in reverse
so you understand less as the pages turn
or a movie so crass and awkwardly cast
that even I could be the star
bridge
C D F G
I don’t look back much as a rule
C D F G
and all this way before murder is cool
C D G C
but your memory is here and i'd like you to stay
D
a warm light on a winter's day
chorus (up to the 3rd line)
C F
the years have seemed short but the days go slowly by
C
to loose kites falling from the sky
F C D
drawn to the ground and an end to flight

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Monday, November 16, 2009

Strumming Patterns

There are few points to remember.

  • While learning strumming, you have to be conscious of your hand movement to match the counts etc. here you will find your hand moving more like a mechanical robot. But the art of strumming begins with having your right hand low down and up in a smooth naturalmovement.
  • Strumming is an art based on a simple DOWN-UP movement of your hand. So your hand should always move down and up, and based on the pattern that you are playing you either choose to HIT or MISS the strings while going down or HIT or MISS it while coming up. This is very important as many people tend to overlook it.
  • First divide the basic counts into a pattern like this: 1 & 2 & 3 & 4 &
  • Move your hand down on ONE and UP on the AND (&) and keep this going on continuously.
  • Wherever in the examples there is an X mark, you DO NOT stop your hand movement, but you simply DON’T play on that X.

Hitting all the counts:
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–U–D–U–D–U–D–U | D–U–D–U–D–U–D–U |
Example 2:
Hitting on 1-2&3-4&
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–X–D–U–D–X–D–U | D–X–D–U–D–X–D–U |
Example 3:
Hitting on 1-2&-&4&
This pattern if played at a moderate speed can be used for Papa Kehte Hain type of songs:
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–X–D–U–X–U–D–U | D–X–D–U–X–U–D–U |
Example 4:
Hitting on 1&-&-&4&
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–U–X–U–X–U–D–U | D–U–X–U–X–U–D–U |

All these strumming patterns are OPEN PATTERNS where you can let EACH OF YOUR BANG to RING…There are quite a few complicated ones as well, some of which require you to MUTE
the strings after you BANG on it ONCE. Some which require you to HIT the strings hard with your right hand, but completely MUTED by your LEFT hand.
For example, the BOSSANOVA pattern, if you remember George Michael’s Faith, or Allah Ke Bandhe the pattern doesn’t let the strings RING. Nazre Milana from Jaane Tu Ya Jaane Na is another example of muted strumming. Basically the sound shouldn’t be CHANNNNGGGGGG it should rather be CHANK!


 More patterns
^ – Down Stroke
v – Up Stroke
Simple Duple (2/4) – 2 beats to a bar.
Simple Triple (3/4) – 3 beats to a bar.
Simple Quadraple (4/4) – 4 beats to a bar.
The comma (,) is used here to differentiate between the separate beats contained in the bar of the pattern.

      MARCH

      (2/4) | ^ , v ||


      FOX-TROT

      (2/4) | ^ , ^v ||


      TANGO

      (2/4) | ^^-v , ^^ ||


      POLKA

      (2/4) | ^-^v , ^^ ||


      WALTZ

      (3/4) | ^ , ^ , ^ || OR | ^ , v , v ||


      FANDANGO

      (3/4) | ^ , ^v , ^ ||


      SARRABANDE

      (3/4) | ^ , ^ , -v | ^ , ^ , – ||


      SOUL

      (4/4) | ^ , ^-^v , ^v , ^v ||


      BOLERO

      (4/4) | ^v , ^ , ^v , ^ ||


      RHYMBA

      (4/4) | ^^ , -^ , ^v , ^v ||


      SWING

      (4/4) | ^v , ^v , ^ , v ||


      ROCK

      (4/4) | ^–v , ^–v , ^–v , ^–v ||

       

      ROCK 1

      | ^ , -^ , ^ , ^ | | ^ , -^ , ^ , v ||


      ROCK 2

      | ^–^ , v^ , – , ^ | | ^^ , v^ , -^ , ^^ ||


      16 BEATS

      | ^–^ , v^-^ , ^ , v | | ^^ , v^-^ , ^^ , v^– ||


      DISCO

      | ^v , ^v , ^v , ^v | | ^v , ^v , ^v , ^v^- ||


      POPS 1

      | ^ , v , ^ , v | | ^ , v , ^-^ , v-^ ||


      POPS 2

      | ^ , v , ^ , v^ | | -^ , v^ , ^ , v ||


      POPS 3

      | ^^ , v^ , – , v | | ^^ , v^ , – , vv ||


      SLOW ROCK

      | ^ , -v , ^^ ||


      SWING

      | ^ , ^-^ , ^ , ^-v ||


      MARCH

      | ^v , -v , ^v , -v | ^v , ^v , ^-vv , ^^ ||


      REGGAE

      | ^v , -v , -v , –^v ||


      BOSSA-NOvA

      | ^ , ^v , ^v , -^ | ^^, -v , -^ , ^^ ||


      SAMBA

      | ^^ , ^-v^ , -^-^ , ^v ||


      BEGUINE

      | ^-^v , ^v , ^v , ^v | –^v , ^v , ^v , ^v ||




       

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Strumming Patterns

There are few points to remember.

  • While learning strumming, you have to be conscious of your hand movement to match the counts etc. here you will find your hand moving more like a mechanical robot. But the art of strumming begins with having your right hand low down and up in a smooth naturalmovement.
  • Strumming is an art based on a simple DOWN-UP movement of your hand. So your hand should always move down and up, and based on the pattern that you are playing you either choose to HIT or MISS the strings while going down or HIT or MISS it while coming up. This is very important as many people tend to overlook it.
  • First divide the basic counts into a pattern like this: 1 & 2 & 3 & 4 &
  • Move your hand down on ONE and UP on the AND (&) and keep this going on continuously.
  • Wherever in the examples there is an X mark, you DO NOT stop your hand movement, but you simply DON’T play on that X.

Hitting all the counts:
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–U–D–U–D–U–D–U | D–U–D–U–D–U–D–U |
Example 2:
Hitting on 1-2&3-4&
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–X–D–U–D–X–D–U | D–X–D–U–D–X–D–U |
Example 3:
Hitting on 1-2&-&4&
This pattern if played at a moderate speed can be used for Papa Kehte Hain type of songs:
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–X–D–U–X–U–D–U | D–X–D–U–X–U–D–U |
Example 4:
Hitting on 1&-&-&4&
1–&–2–&–3–&–4–& | 1–&–2–&–3–&–4–& |
D–U–X–U–X–U–D–U | D–U–X–U–X–U–D–U |

All these strumming patterns are OPEN PATTERNS where you can let EACH OF YOUR BANG to RING…There are quite a few complicated ones as well, some of which require you to MUTE
the strings after you BANG on it ONCE. Some which require you to HIT the strings hard with your right hand, but completely MUTED by your LEFT hand.
For example, the BOSSANOVA pattern, if you remember George Michael’s Faith, or Allah Ke Bandhe the pattern doesn’t let the strings RING. Nazre Milana from Jaane Tu Ya Jaane Na is another example of muted strumming. Basically the sound shouldn’t be CHANNNNGGGGGG it should rather be CHANK!


 More patterns
^ – Down Stroke
v – Up Stroke
Simple Duple (2/4) – 2 beats to a bar.
Simple Triple (3/4) – 3 beats to a bar.
Simple Quadraple (4/4) – 4 beats to a bar.
The comma (,) is used here to differentiate between the separate beats contained in the bar of the pattern.

      MARCH

      (2/4) | ^ , v ||


      FOX-TROT

      (2/4) | ^ , ^v ||


      TANGO

      (2/4) | ^^-v , ^^ ||


      POLKA

      (2/4) | ^-^v , ^^ ||


      WALTZ

      (3/4) | ^ , ^ , ^ || OR | ^ , v , v ||


      FANDANGO

      (3/4) | ^ , ^v , ^ ||


      SARRABANDE

      (3/4) | ^ , ^ , -v | ^ , ^ , – ||


      SOUL

      (4/4) | ^ , ^-^v , ^v , ^v ||


      BOLERO

      (4/4) | ^v , ^ , ^v , ^ ||


      RHYMBA

      (4/4) | ^^ , -^ , ^v , ^v ||


      SWING

      (4/4) | ^v , ^v , ^ , v ||


      ROCK

      (4/4) | ^–v , ^–v , ^–v , ^–v ||

       

      ROCK 1

      | ^ , -^ , ^ , ^ | | ^ , -^ , ^ , v ||


      ROCK 2

      | ^–^ , v^ , – , ^ | | ^^ , v^ , -^ , ^^ ||


      16 BEATS

      | ^–^ , v^-^ , ^ , v | | ^^ , v^-^ , ^^ , v^– ||


      DISCO

      | ^v , ^v , ^v , ^v | | ^v , ^v , ^v , ^v^- ||


      POPS 1

      | ^ , v , ^ , v | | ^ , v , ^-^ , v-^ ||


      POPS 2

      | ^ , v , ^ , v^ | | -^ , v^ , ^ , v ||


      POPS 3

      | ^^ , v^ , – , v | | ^^ , v^ , – , vv ||


      SLOW ROCK

      | ^ , -v , ^^ ||


      SWING

      | ^ , ^-^ , ^ , ^-v ||


      MARCH

      | ^v , -v , ^v , -v | ^v , ^v , ^-vv , ^^ ||


      REGGAE

      | ^v , -v , -v , –^v ||


      BOSSA-NOvA

      | ^ , ^v , ^v , -^ | ^^, -v , -^ , ^^ ||


      SAMBA

      | ^^ , ^-v^ , -^-^ , ^v ||


      BEGUINE

      | ^-^v , ^v , ^v , ^v | –^v , ^v , ^v , ^v ||




       

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Friday, November 13, 2009

In the cold, cold night -- The White stripes

Riff 1:                      Riff 2:
|--------------------------| |-------------------------|
|--------------------------| |-------------------------|
|--5/7--7/10-10/12--12/14--| |-------------------------|
|--------------------------| |--5/7--7\5---------------|
|--3/5--5/8---8/10--10/12--| |-------------------------|
|--------------------------| |--3/5--5\3---------------|
Riff 3:
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|--5/7--5/7--5/7--5/7--10/12--10/12--5/7--5/7---------------|
|----------------------------------------------5/7--5/7-----|
|--3/5--3/5--3/5--3/5---8/10---8/10--3/5--3/5---------------|
|----------------------------------------------3/5--5/3-----|
Intro: Riff 1 x2
Verse: 
(Riff 1 x3 )  I saw you standing in the corner
On the edge of a burning light
I saw you standing on the corner
(Riff 2)   Come to me again in the cold, cold night   (Riff1 X 2)
Verse
You make me feel a little older,
Like a full grown woman might
But when you're gone I grow colder,
Come to me again in the cold, cold night
Chorus Riff 3
I see you walking by my front door
I hear the creaking of the kitchen floor
I don't care what other people say
I'm going to love you, anyway
Come to me againin the cold, cold night
Bridge: Riff 1 x4 then Riff 2 then Riff 1
Verse
I can't stand it any longer
I need the fuel to make my fire bright
So don't fight it any longer
Come to me again, in the cold, cold night
Outro
D C A7
And I know that you feel it too,
D C A7
When my skin turns into glue,
D C A7
You will know that it's warm inside
G F |-----|
And you'll come run to me, |-----|
|-----|
In the cold, cold night |-5/7-|
|-----|
Riff 1 x3 and then finish with |-3/5-|

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Tu Jane na - Ajab prem ki gajab kahani

Strumming Pattern ---

| 1 & 2 & | 3 & 4e&a |
| D - D U | D - D-D- |
Intro
E -----0-------0-------1---------0-----
B ---0-------0-------0----------0------
G ----2-------2-----1-1------1-1-------
D --2-------2------0--------2----------
A -0-------0---------------------------
E -------------------------0-----------
=(A)=====(A)=====(D)======(E)========== <- Chords played in the background

E -----9-7-9-----7/9-7-9-----10-9-10--12-12-7--
B ---------------------------------------------
G -7h9-------9-9---------9-9-------------------
D ---------------------------------------------
A ---------------------------------------------
E ---------------------------------------------
=====(A)=========(A)==========(D)=======(E)==== <- Chords played in the background
[Chorus1] (A)Kaise batayein (C#m)kyu tujhko chahe
(Bm)Yaara bata na (E)paayein
(A)Baatein dilo ki (A)dekho zuban ki
(Bm)aankhein tujhe sam(E)jhaye


Chorus2 
Tu Jaane (A)Na aaaa(E)
Tu Jaane (A)Na
Tu Jaane (A)Na aaaa(E)
Tu Jaane (A)Na

BRIDGE
Mil ke bhi (A)hum na mi(E)le
Tum (F#m)se na jaane (E)kyu
milo ke (A)hai faas(D)le
tum (D)se na jaane (E)kyu

an(A)jaani hai silsi(E)le
tum (F#m)se na jaane (E)kyu
sap(A)ne hai palko ta(D)le
tum(D)se na jane kyu uu uu(E) Single Strum - END

Chorus1, Chorus2

[ANTRA 1]
(A)Nigaho me (A)dekho meri (D)jo hai bas ga(D)yaaa
(A)Wo hai milta (A)tumse huba(D)hu .. Oooo(D)
(A)Jaane teri (A)aankhein thi ya (D)baatein thi wa(D)jah
(A)Hue tum jo (A)dil ki aar(D)zoo.. (D)
Tum paas (A)hoke bhi (A) tum aas (D)hoke bhi (D)

Ehsaas (A)hoke bhi (A)apne na(D)hi
Aise ho (A) hum ko gi(E)le
Tum (F#m)se na jaane (E)kyu
milo ke (A)hai faas(D)le
tum (D)se na jaane kyu (E)uu uu

CHORUS2

[ANTRA 2]
(A)Khayalon me (A)laakhon baatien (D)yu to keh ga(D)ya
(A)Bola kuch na (A)tere saam(D)ne... Oooo(D)
(A)Hue na be(A)gaane bhi tum (D)hoke aur (D)ke
(A)Dekho tum na (A)mere hi (D)bane ... (D)
Afsos (A)hota hai (A)dil bhi ye (D)rota hai (D)

sapne (A) sanjota hai (D)badla hua
soche ye (A) hum the mi(E)le
un (F#m)se na jaane (E)kyu
milo ke (A)hai faas(D)le
tum (D)se na jaane kyu u (E)uuu (STOP STRUMMING)

 CHORUS1, Chorus2

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Octave shape

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Octave shape

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Stairway to heaven ( Main Guitar parts )

Part1
Am     Am9/G#   Cx      D/F#     Fmaj7      Em Am   (Not repeated 2nd time) 
E|----5-|-7----7-|-8---8-|-2----2-|-0----0----|-------|---------|
B|---5--|---5----|--5----|---3----|---1-1-1---|-------|---------|
G|--5---|----5---|---5---|----2---|----2----2-|-0-2-2-|---------|
D|-7----|-6------|-5-----|-4------|-3---------|-------|---------|
A|------|--------|-------|--------|-----------|-2-0-0—|-0-2/8-7-|
E|------|--------|-------|--------|-----------|-------|---------|
 
-------|-7----7-|-8----8-|-2---2-|-0----0---|-------|
-----5-|---5----|--5-----|--3----|--1-1--1--|-------|
----5--|-----5--|----5---|---2---|---2----2-|-0-2-2-|
--7----|-6------|-5------|-4-----|-3--------|-------|
-0-----|--------|--------|-------|----------|-2-0-0-|
-------|--------|--------|-------|----------|-------| 
 Part2 
       C          D           Fmaj7    Am              C           G     Dsus4    
|-----|-------0-|-2------2-|-0-----0-|-------|-----|---------|-3-----3-|-3p2-2-2-|
|-----|---------|----3-----|---1-----|-0h1---|-----|-1—----1-|---0-----|-3---3-3-| 
|-----|-----0---|------2---|-----2---|-----2-|-----|---0-----|-----0---|-2---2-2-|
|-----|---2-----|-0--------|-3-------|-------|-----|-----2---|---------|-0---0-0-|
|-0-2-|-3-------|----------|---------|-0-----|-0-2-|-3-------|---------|---------| 
|-----|---------|----------|---------|-------|-----|---------|-3-------|---------|
  
C          D           Fmaj7    Am 
 C          D        Fmaj7 
|---------2-----2-|-0-0-0-----------|
|-------1---3-----|-1-1-1-----------|
|-----0-------2---|-0-2-2-----------|
|---2-----0-------|-3-3-3-----------|
|-3---------------|-----------------|
|-----------------|-----------------|
 
 
 
Part3
Am7        Am   Dsus4
1|--3--3-3-3--3----0----3--2-----2--2-2-2--|
2|--1--1-1-1--1----1----3--3-----3--3-3-3--|
3|--2--2-2-2--2----0----2--2-----2--2-2-2--|
4|--2--2-2-2--2----2----0--0---0-0--0-0-0--|
5|--0--0-0-0--0----0-----------------------|
6|-----------------------------------------|
Em/D D   C/D D
-0----3--3-3-3--3----0----7---5---3---5-------|
-1----1--1-1-1--1----1----8---7---5---7-------|
-0----2--2-2-2--2----0----9---7---5---7-------| 
-2----2--2-2-2--2-2--2-2--0---0---0---0-------|
-0----0--0-0-0--0-0--0-0--------------------0-| 
----------------------------------------------|
 
Part4 
C    G/B   Am               C     G/B Fmaj7 Am
|-------------------------|------------------------|
|------1----3--0h1------1-|--------1-------1--1----|
|-----0----0------2---2---|-------0-----0--2--2----|
|----2----0----------2----|------2-----0---3--2----|   X2
|---3----2-----0----0-----|-0-2-3-----2-------0----|
|-------------------------|----------------1-------|
C      G/B                                    
|------------------|
|---------1------1-| 
|-------0------0---|
|------2------0----| 
|-0-2-3-----2------|
|------------------| 
Than after it part 3 is again played...and so on. 
 
Part 6a
V  
 
V     ^   V    
Dsus2 D Dsus4 X 3
 
V       V
Dsus4   D 
Part6b
Cadd9(D  DDUDD  DDUDD)
Part6a (Repeat)
Part6c
Part7
Solo1
E|-----5---------------------|
B|-------8p5-----------------|
G|-7b9-------7p5---7p5-------|
D|---------------7-----7p5---|
A|-------------------------8~|
E|---------------------------|
Solo2
E-------8-8-8b10--8-5---------8—10p8--------------|
B-8b10----------------8/10-10--------10p8----8h10~|
G-----------------------------------------10------|
 

Solo3
E|------5---------------------------------|
B|--------8p5-----------------------------|
G|-7b9--------7p5---7p5-----------5---5-5-|
D|----------------7-----7p5---5-7---7-----|
A|--------------------------7-------------|
E|----------------------------------------|
 
---5------------------------| 
-----8p5--------------------|
-0-------7p5---7p5----------|
-------------7----7p5-7p5---|
--------------------------8-|
----------------------------| 
 
Solo3
|----------------------------------------|------------------15b17--15-13----| 
|-------------------------------------13-|-15b17-15-13-15-13------------15b-|     
|---------10-----------------12-12-14----|----------------------------------|   
|------10---12p10---10-12/14-------------|----------------------------------|   
|-10/12----------12----------------------|----------------------------------|      
|----------------------------------------|----------------------------------|  
 
||------------------|| 
||-15b17r15p13---13-|| 
||-------------14---||
||------------------|| 
||------------------||
||------------------||x11
 
|-15b17-12-15-12------------------------------15-------------|
|---------------15-13----13-15-13----13-15b17===--17r15p13---|
|---------------------14----------14----------------------14~|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|

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Stairway to heaven (Chords and lyrics)

Note: Part1, part2 etc denotes, what is mentioned in part by part guitar tab of stairway to heaven.

Intro:Am    G#+    C    D    Fmaj7    G    Am(Part1), Part2
    
 (Part1)          Am    G#+    C    D
There's a     lady who's     sure all that     glitters is     gold
     Fmaj7    G    Am
and she's     buying a stairway to     hea    ven
                   Am    G#+    C    D
When she     gets there she     knows if the     stores are all     closed
     Fmaj7    G    Am
with a     word she can get what she     came     for
  (Part2)   C    D    Fmaj7    Am    C    G    D
     Oh_    __     oh____     and she's     buying a     stairway to     heaven
     C    D    Fmaj7    Am
There's a     sign on the     wall but she     wants to be     sure
     C    D    Fmaj7
'cause you     know sometimes     words have two     meanings

     Am    G#+    C    D
In a     tree by the     brook there's a     songbird who     sings
     Fmaj7    G    Am
Sometimes     all of her thoughts are     mis    given

  (Double time picking)   Am    G#+    C    D    Fmaj7    G    Am
(Part3)     G/B    Am7    Dsus4    D    Am7    Em    D    C    D
                                          Oh___ it makes me     wonder                             
     Am7    Dsus4    D    Am7    Em    D    C    D
     Oh___             it      makes me wonder                                         
(Part4)
     C    G    Am
There's a     feeling I     get when I     look to the west
     C    G    F    Am
and my     spirit is     crying for     lea    ving
     C    G    Am
In my     thoughts I have     seen rings of     smoke through the trees
     C    G    F    Am
and the     voices of     those who stand     loo    king
 (Part3)  Am7    Dsus4    D    Am7    Em    D    C    D
                 Oh___     it makes me wonder                                         
     Am7    Dsus4    D    Am7    Em    D    C    D
     Oh___     it     really makes me wonder                                         
(Part4)
And it's whispered that soon if we all call the tune
then the piper will lead us to reason
And the new day will dawn for those who stand long
and the forest will echo with laughter
(Part3)(Part4)
If theres a bristle in your hedgerow dont be alarmed now
it's just a spring clean for the May queen
Yes there are two paths you can go by but in the long run
there's still time to change the road you're on
(Part3)(Part4)
Your head is humming and it wont go in case you dont know
the pipers calling you to join him
Dear lady can you hear the wind blow and did you know
your stairway lies on the whispering wind

     D    Dsus2    D    Dsus4    D    Dsus2    D    Dsus4    C    Cadd9    C    Cadd9    C

For the solo and the remaining lyrics use a Am G F G barre chord sequence

Solo

And as we wind on down the road
Our shadows taller than our soul
There walks the lady we all know
Who shines white light and wants to know
how everything still turns to gold
And if you listen very hard
the time will come to you at last
When all are one and one is all
To be a rock and not to roll

     Fmaj7    G    Am
And she's     buying a stairway     to     heaven

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Wednesday, November 11, 2009

Times Like These - Jack Johnson

Intro - Strum B chord at 7th fret.
Verse
A E
In times like these and times like those
A E
What will be will be and so it goes, and it always goes
F#m B
On and on and on and on and on
F#m B A
On and on and on and on and on it goes
E A E
hmm hmm hmm hmm hmm hmm hmm hmm hmm always been
F#m
laughin and cryin and birth and dyin
B
and boys and girls well hearts are taken given, breakin'
F#m B
heal and grow and recreate and raise and nurture but then hurt from time
Chorus
A E
to times like these and times like those
A E
what will be will be and so it goes and theres always been
Verse
F#m
stop and go and fast and slow and action,
B
Reaction, sticks and stones and broken bones
F#m
those for peace and those for war and god bless
B (fill B Bb)
these ones not those ones but these ones
Chorus then the on and on and mmm mmm mm bit
Outro
F#m E
|--2----------------|
|--2----------------| somehow i know it won't be the same x2
|--2----------------|
|--4----------------| (Note slide up to the 11th fret and let the open E
|--4-----7--9--/11--| string ring out - just right!)
|--2--/9--------0---|
Note that at the chords are E shape barré chords (ie. 7 9 9 8 7 7) but
sometimes he uses B at 2nd position (ie. X 2 4 4 4 x)

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Gone - Jack Johnson

Intro (p=thumb i=index f*=flick fingers a and i down to play chord)
E                 C#min
|-----------------------------| fingerstyle: p i f*
|------------------------5----| on each chord
|--------9---------------6----|
|----9---9-----------6---6----| repeat x4
|-7------7--------4------4----|
|-----------------------------|
Verse
E G# C#min A x3 F#m x2 B x2
|-------------------------------------------------| |---------||-------7---|
|----------------------------------5--------------| |------2--||-------7---|
|---------9-----------5------------6-----------6--| |------2--||-------8---|
|-----9---9-----------6--------6---6-----------7--| |------4--||-------9---|
|--7------7-------6---6-----4------4-------7---7--| |---4--4--||----9--9---|
|--------------4------4-----------------5------5--| |-2----2--||--7----7---|
Well look at all those fancy clothes
but these could keep us warm just like those
and what about your soul? is it cold?
is it straight from the mold and ready to be sold?
...and cars and phones and diamond rings, bling bling
those are only removable things
and what about your mind does it shine org
are there things that concern you more than your time
Chorus
E B C#min A x3
|-------------------------------------------------|
|----------------------------------5--------------|
|---------9-----------8------------6-----------6--| then play intro progression
|-----9---9-----------9--------6---6-----------7--|
|--7------7-------9---9-----4------4-------7---7--|
|--------------7------7-----------------5------5--|
gone, going, gone everything gone give a damn
gone be the birds when they don't wanna sing
gone people all awkward with their things, gone.
Verse look at you out to make a deal
you try to be appealing, but you lose your appeal
and what about those shoes you're in today
they'll do no good on the bridges you've burnt along the way, oh
Verse(but with chorus chords!!) then Chorus (finish on E)
you were willing to sell anything gone with your hurt
leave your footprints we'll shame them with our words,
gone people all careless and consumed, gone

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Traffic in the Sky - Jack Johnson

D                               F#m                               C                          Em Fill into ch.

|--------------------------------------------------------------| |-----------5-|
|----7---7---------10-----10----------5---5--------8--8--------| |-----------5-|
|-----7---7----------11-----11---------5---5--------9--9-------| |-----------6-|
|------7---------------11---------------5------------9---------| |-7----7----7-|
|-5---------5 / 9--------------9 \ 3---------3 / 7-------7-----| |-7^9--7^9--7-|
|--------------------------------------------------------------| |-----------5-|

Verse 1
There’s traffic in the sky and it doesn’t seem to be getting much better
There’s kids playing games on the pavement
Drawing waves on the pavement Mmm hmm
Shadows of the planes on the pavement Mmm hmm
It’s enough to make me cry
But that don’t seem like it will make it feel better
Maybe it’s a dream and if I scream, it will burst at the seams
Whole place would fall into pieces
Chorus
(fill) A G# G A
And then they’d say Well how could we have known
(A) D Bm G
I’ll tell them it’s not so hard to tell Nah Nah Nah
(G) A D
You keep adding stones Soon the water will
(D) Bm G A (play octave B to D)
Be lost in the well Mmmm mmmmm
Verse 2 (same as above)
And puzzle pieces in the ground, No one ever seems to be digging
Instead they’re looking up towards the heavens
With their eyes on the heavens, Mmm hmmm
The shadows on the way to the heavens, Mmm hmm
It’s enough to make me cry
That don’t seem like it will make it feel better
The answers could be found, We could learn from digging down
But no one ever seems to be digging
Chorus (diff lyric - Instead they’ll say)
Verse 3
And words of wisdom all around, But no one ever seems to listen
They’re talking about the plans on the paper,
Building up from the pavement, Mmm hmm
The shadows from the scrapers on the pavement, Mmm hmm
It’s enough to make me sigh
But that don’t seem like it will make it feel better
The words are all around, But the words are only sounds
And no one ever seems to listen
Chorus (end on D)

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Monday, November 9, 2009

Sajni by Jal(Album - Boondh)

G#m F#
Main teri aankhon mein rehta hu
C#m D#m
Tujhey pata na chale
G#m F#
Tere har pal mein guzra hu
C#m D#m
Tujhey pata na chale


Interlude:
E
Karein to phir kya karein
F#
Tere bina kaisey jiyein
E
Aakhon mein pyar liey
F#
Bolo kahan kahan phire



G#m F#
Kafa to hum bhi hain, tum bhi ho
C#m D#m
Humein pata na chale
G#m F#
Judai ka mujhey ghum bhi hai
C#m D#m
Koi aisi khata na kare



G#m F#
Sajni paas bulao na
C#m D#m
Key dil aaj tuta hai - aaj tuta hai
G#m F#
Saajan maan jaao na
C#m D#m
Key moh aaj rootha hai - aaj rootha hai
C#m D#m C#m
Koi, usey manaye na - jaane jaan
C#m D#m E F#
Dil, tujhey hi chahe na - ohhhhh



interlude....

G#m F#
Humein dil sey bhulao na
C#m D#m
Yehi ab kehna ha - kehna hai
G#m F# C#m C#m
Tum paas aao na - aao naaaaa

Derere narena derere narena x8


Chorus:
G#m F#
Sajni paas bulao na
C#m D#m
Key dil aaj tuta hai - aaj tuta hai
G#m F#
Saajan maan jaao na
C#m D#m
Key moh aaj rootha hai - aaj rootha hai
C#m D#m C#m
Koi, usey manaye na - jaane jaan
C#m D#m E F#
Dil, tujhey hi chahe na - ohhhhh

Sources - http://www.greatchords.com/2008/02/sajni-boondhalbum.html

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Knocking on heaven's door - guns n roses

intro:

G5     D     Am
               
G5     D     C  

G5     D     Am

G5     D     C
VERSE 1

G5       D               Am
Mama take this badge off'a me
G5      D           C   
I can't use it any more
G5      D              Am
gettin dark to dark to see
G5            D                  C
Feels like im knockin on heavins door

Chorus:

G5          D5                Am5
knock knock knockin on hevins door
G5          D5                C5    
knock knock knockin on hevins door
G5          D5                 Am5
knock knock knockin on heavins door
G5          D5                 C5
knock knock knockin on heavins door

Solo:
G5 D Am

G5 D C

G5 D Am

G5 D C

Verse 2:

G5    D                 Am 
mama put my guns in the ground
G5     D            C
i cant use them any more
G5              D              Am
that cold black cloud is comin down
G5            D                  C  
feels like im knockin on heavins door

Chorus:

G5          D5                Am5
knock knock knockin on hevins door
G5          D5                C5    
knock knock knockin on hevins door
G5          D5                 Am5
knock knock knockin on heavins door
G5          D5                 C5
knock knock knockin on heavins door

then it just continues on as

G5 D  Am

G5 D  C

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Knocking on heaven's door

INTRO:  G-D,  C
 
G                 D            Am7
.. Mama take this badge off of me
G          D          C
.. I can't use it any-more
G              D                        Am7
. It's getting dark, too dark for me to see
G            D                   C   (D)
. I feel I'm knockin on heaven's door___
 
 
CHORUS:
G                D                    Am7
.. Knock, knock, knockin' on heaven's door
G                D                    C   (D)
.. Knock, knock, knockin' on heaven's door___
G                D                    Am7
.. Knock, knock, knockin' on heaven's door
G                D                    C   (D)
.. Knock, knock, knockin' on heaven's door___
 
 
G              D           Am7
.. Mama put my guns in the ground
G          D              C
.. I can't shoot them any-more
G                 D               Am7
. That long black cloud is comin' down
G            D                    C   (D)
. I feel I'm knockin' on heaven's door___
 
 
ENDING: CHORUS, THEN REPEAT AND FADE
 
G    D    Am7          (G)
Oo - oo - oo - oo

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Sultans of Swing - Dire Straits (Rhythm part)

The song begins with Dm Chords.
key: Dm
Strumming (listen song)
Intro Rythm pattern - [DD]UK-UDUKU
                                     [DD]UK-UDUKU     
[] - means strummed v.fast                                 
- = actually no space (Means the rhythm is D DUDUDUDU)
k=click sound with down strum, which comes when left hand gets free, to produce muting effect. Also right hand palm mutes, which facilitates clicking sound.

Intro:Dm(with above strumming nearly 8 times)
Verse:(Dm/// |  C Bb | A///)X2 ; (F/// | C/// | Bb | Dm)
1. full bar is equal to  repeating rhythm 2 times.
2. On C & Bb only D DUKU (K = click)
3. A's 2nd half bar is sometimes A7.
A7 =
Some riffs -
Dm C/Bb C = Dm( D DUKU ) C(U) Bb(UDUD) C(full rhythm pattern )
Bb/C  = Bb(UUUD, after hitting D stroke, slide to C) C(UKU UKU)




Covering rhythm part only

Intro lead
           Dm
you get a shiver in the dark
         C           Bb       A
it's raining in the park but meantime
Dm                      C           Bb          A
south of the river you stop and you hold everything
F                   C
a band is blowing Dixie double four time
        Bb                                 Dm    Bb-C
you feel alright when you hear that music ring


               Dm              C        Bb          A
(Now) you step inside but you don't see too many faces
 Dm                   C                        Bb      A
coming in out of the rain to (you) hear the jazz go down
F                       C
too much competition too many other places
Bb                                    Dm
but not too many horns can make that sound
(But not too many horns are blowing that sound)
Bb-C
        way on downsouth
Bb-C
        way on downsouth
Dm              Dm-C-Bb-C       Dm-C-Bb-C
London town

                Dm          C       Bb          A
you check out Guitar George he knows all the chords
Dm                                                 C   Bb             A
mind he's (his) strictly rhythm he doesn't want to make it cry or sing
F                       C
and an old guitar is all he can afford
Bb                                              Dm   Bb-C
when he gets up under the lights to play his thing
Dm                      C     Bb         A
  (and) harry doesnb't mind if he doesn't make the scene
Dm             C        Bb                  A
  he('s) got a daytime job he's doing al(l)right
F                               C
  he can play honky tone just like anything
(He can play the honky tonk like anything)
Bb                      Dm      Bb-C
  saving it up for friday night
                  Bb-C
with the sultans
                     Dm     Dm-C-Bb-C
with the sultans of swing
                             Dm-C-Bb-C

        Dm                          C           Bb            A
and a crowd of young boys they're fooling around in the corner
Dm                                    C                Bb           A
drunk and dressed in their best brown baggies and their platform soles
F                                       C
they don't give a damn about ('bout) any trumpet playing band
   Bb                           Dm      Bb-C
it ain't what they call rock and roll
                Bb-C
and the sultans
                        Dm     Dm-C-Bb-C
and the sultans played creole
(Yeah the Sultans they played Creole)

                                Dm-C-Bb-C

Lead 1: ( chords:Follow 1 full verse)

Dm                    C         Bb         A
and then the man he steps right up to the microphone
Dm          C                Bb         A    (A7)
and says at last just as the time bell rings
F                           C
thank you goodnight now it's time to go home
        Bb                  Dm          Bb-C
and he makes it fast with one more thing
                  Bb-C
we are the sultans
                      Dm        Dm-C-Bb-C
we are the sultans of swing

Dm      -       C       -       Bb      -       C
1.25            0.5           2.25              4.0

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